July 2012 New York Social Diary recently visited our Long Island City facility to interview Jed Bark, and take many beautiful photographs of our operation. New York Social Diary, July, 2012 By Sian Ballen and Lesley Hauge
January 2012 Does UV blocking acrylic glazing lose its protective property over time? Apparently not, according to our findings. Download the article as a PDF
Designer Glenn Gissler has been working with Bark Frameworks for more than 15 years framing fine art works for his residential interior design clients. We are happy to share some of the projects that we have collaborated ...
George Condo: Drawing Paintings Skarstedt Gallery November 4 - December 21, 2011 The frames for George Condo's works were made from maple with a white rubbed finish. The frames are glazed with Optium acrylic, which is non-reflective and ...
James Siena, at Pace Gallery March 25 - April 30, 2011 Since James Siena worked at Bark Frameworks in the early 1980s, he has always had a particularly sensitive approach to the ...
Jean Pagliuso: "The Poultry and Raptor Suites" Marborough Gallery February 23 - March 26, 2011 These photographs are from the exhibition Jean Pagliuso: The Poultry and Raptor Suites, at Marlborough Gallery, February 23, 2011—March 26, 2011. Jean ...
Jenny Holzer: Top Secret Yvon Lambert Gallery, Paris October 18 - December 1, 2010 For these complex oil-on-linen paintings, we designed precise and rigorous white float frames. Photographs by Didier Barroso. ...
Marco Breuer: Nature of the Pencil Von Lintel Gallery, New York October 14 - December 4, 2010 The frames for Marco Breuer's works are all maple stem profiles, each chosen to complement the size ...
Gregory Crewdson: Sactuary Gagosian Gallery, New York (Uptown) September 2010 Gregory Crewdson's Sanctuary series was first exhibited at Gagosian Gallery on Madison Avenue in September 2010. The series of forty-one black-and-white photographs, shot at ...
“The Most Critical Step in the Entire Framing Process” An excerpt from the interview: "On several occasions, I have encountered multiple sets of pressure-sensitive "archival" tape hinges left over from past reframing campaigns. I'm then faced with the difficult decision of whether to leave ...