Line into Color, Color into Line: Helen Frankenthaler, Paintings 1962-1987 Gagosian Gallery (Beverly Hills) September 16 - October 29, 2016 “...A line, color, shapes, spaces, all do one thing for and within themselves, and yet do something else, in relation to everything that is ...
When life gets serious…..suddenly poems get very important. How do you frame the invisible? Brooklyn-based artist and writer Jen Bervin explores philosophical and poetic thought via minimalist works made using text and textiles. A 2013 recipient of a Creative Capital grant, ...
July 2016 Jared Bark has numerous ties to the Whitney Museum of American Art: his work is in the Museum's permanent collection and was included in the exhibition Rituals of Rented Island in 2014; he designed and constructed an elaborate sculptural set for an ...
After moving to our large shop on Grand Street in SoHo in 1978, we developed a specialty in framing very large works. When we acquired our building in Long Island City 16 years ago, we made sure to have all the space we would ...
Roberto Matta: Matta in the 1950s and 1960s Pace Gallery, New York November 6, 2015 - January 9, 2016 The exhibition "Robert Matta: Matta in the 1950s and 1960s" ...
We recently designed and fabricated a frame for the oil painting "Washer Women" (1925) by Irma Stern. The frame that "Washer Women" arrived in. The back of the previous frame. Note the canvas and stretcher protrude from the back of ...
Come In! Elizabeth Enders Recent Work, at Real Art Ways in Hartford, CT and the Lyman Allyn Art Museum in New London, CT September 2015 - January 2016 Elizabeth Enders recently worked with Bark Frameworks ...
The Monet/Kelly Exhibition at The Clark Art Institute November 23, 2014 - February 16, 2015 "I develop detailed framing specifications, including materials and construction and every detail is important. I want the frame to disappear; but good framing can help unify an exhibition or ...
May 2015 Culling from years of first-hand research, Jed Bark writes about acrylic glazing, its virtues, and its limitations, in this article. Download the article as a PDF Picture Framing Magazine, May 2015
April 27, 2015 When the Whitney Museum of American Art opens on Friday, the event will follow much deliberation over how to reframe its collection—literally. In addition to building a gleaming $422-million tower in the Meatpacking District and conceiving new practices as a museum for the future, the ...